When creating characters, writers reveal a bit of themselves, right? Or, is every character a writer creates unique, individuals with their own traits, quirks, and personalities?
Think about it. If the first statement is true, then a story about a serial killer might paint this unsavory character as a vicious, heartless soul who never utters a word of profanity, never lets a discouraging word cross their lips. A polite monster?
If this were the case, readers seeking a gritty tale of mystery or suspense would soon move on to more realistic prose in their favored genre.
A character is a concept within the writer's mind, one which translates onto paper with words chosen to paint a picture in the reader's mind. If writers were a reflection of the characters in their stories, eventually imagination and creativity would wither and die.
To further my point, here's a quote from writer Terry Odell. "You want your voice to be recognized, but not intrude on the story. If you want the reader caught up in the story and the characters, you, the author have no business being on the page. Every word on the page should seem to come from the characters, whether its dialogue or narrative."
My reason for putting this aspect of writing under the microscope stems from an observation from a treasured friend and reader. How do I make my friend, or any reader, understand that although I don't talk like a psychopathic stalker, I need to get into the head of the one lurking in my story?
Research plays a major role in writing. By visiting a site, through interviews, or plain old Google, a writer must find out what makes someone tick to create a specific character.
I've discovered ladies of the night, scheming good-for-nothing thieves, and yes, even our heroes - law enforcement, military, private detectives, etc. - usually do not mutter "gosh darn or fiddlesticks" when life dumps on them. Face it, sometimes a situation calls for gritty dialogue.
A writer may never vent with colorful, gritty, words, but that doesn't mean he/she won't write about characters that do. In fact, if every character talked, acted, or reacted similar, wouldn't they all soon appear to be cut from the same cloth?
Each individual writer creates their own guidelines for the stories they write. Despite the twists and turns I initiate when writing Romantic Suspense, I follow self-imposed guidelines. In romance fiction, a happy ending is required. Attraction and state of mind play an important role building tension between main characters on their journey to that ending.
Romance Genre Fiction runs the gamut - Sweet to Erotic. Writers decide what level they want to portray, along with how coarse their character's language will be. As a writer, I set the stage, reveal emotions, tension, reaction, and let the reader's imagination do the rest. In doing so, my personal writing voice is revealed.
I don't write to elicit moral judgments, I write fiction. Steamy, romantic fiction, but keep in mind, characters that appear to wander and weave through stories out of control are destined to eventually restore the reader's faith in happily ever after.
I'll close with a favored quote by Maya Angelou. "The idea is to write so that people hear it, and it slides through the brain and goes straight to the heart."
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Within this article I quoted author Terry Odell. To learn more about Terry visit her website at: http://terryodell.com |